Broad Conversation

Events, news and opinion from Blackwell's, Broad Street, Oxford – one of the most famous bookshops in the world. Join the conversation…

Tim Lott: A Creative Writing Workshop on Tuesday 2nd July

Tim Lott: A Creative Writing Workshop

Tuesday 2nd July, 2013, 7pm – 9pm

Tim Lott

Tim Lott will be running a Creative Writing Workshop on Tuesday 2nd July, 7pm-9pm here at Blackwell’s Bookshop in Oxford.

Tim Lott has written eight books (including White City Blue, Fearless and The Scent of Dried Roses and won a number of literary awards. He teaches creative writing at London’s Faber Academy, and the Guardian Academy.

This brief introduction to novel writing will cover the basics principles and tools needed to complete a fully fledged work of fiction. Tim is very highly regarded and his workshops are very popular, if you want to find out a bit more about him, please have a look at his website: http://www.timlott.co.uk/

 

The cost of attending this workshop is £30. Please register quickly if you are interested as there are only 20 places and it is anticipated that this will be very popular. To register, please email oxford@blackwell.co.uk or telephone 01865 333636

 

Filed under: Literary Events, Oxford

Blackwell’s and Creation Theatre Present Jekyll & Hyde

8th June – 6th July 2013

posterBlackwell’s are proud to announce that once again, after the success of previous productions such as The Odyssey and Doctor Faustus, Creation Theatre will be treading the boards in our very own Norrington Room, with their production of the well-loved classic, Jekyll & Hyde. Saved by their most generous benefactors and supporters, following the wettest summer in 100 years, Creation will return with their forthcoming production of Jekyll & Hyde. This show will see the company exploring a new approach with an intimate performance to 100 guests each night.

 The Norrington Room will be transformed into a spectacular theatre as Creation delight and astound with a story of Good vs. Evil in the body of one man. Taking as inspiration the esteemed work of one of our greatest authors, Robert Louis Stevenson, one actor will embody every role in this tale of gothic horror. Refreshments will be available on the evening, and our expert booksellers will be on hand, should a book take your fancy from the Norrington Room’s almost 3 miles of shelving.

 The show will run from Saturday 8th June to Saturday 6th July. Dates and times: Tuesday & Wednesday, 7:30pm. Thursday – Saturday, 7:30pm & 9pm. Running time of one hour. Tickets are available in advance or on the door. Please be aware that seats are limited to 100 per performance, and therefore booking is advised. Seating is allocated. Performances are suitable for adults and children from the age of 8. Seated tickets are £16, standing tickets are £10. Book your ticket online at http://www.creationtheatre.co.uk/booking/how-to-book

Filed under: Bookshop news and events, Creation Theatre, Oxford

Blackwell’s gets Oxfordshire Artweeks first exhibition up and running early in Caffe Nero

The Seven Ages of Oxford’ and several other original watercolour paintings from the new book ‘That Sweet City – Visions of Oxford’ with poetry by John Elinger and illustrated by Katherine Shock will be one of the first exhibitions to be found for Oxfordshire Artweeks which starts officially on 4th May. (Site 66). The exhibition runs right through until 30th May and marks the launch of this new book of poetry, walks with maps and atmospheric illustrations of some well known and some little known haunts of this magical city.

Poet John Elinger (Sir Christopher Ball, former Fellow and Tutor in English at Lincoln College and then Warden of Keble College) lives in and knows Oxford well as does the artist Katherine Shock. Together they pay tribute to the city they love in seven series of seven poems and paintings in the new Signal Books publication and many of the paintings can be found at Blackwell. (Others will be shown during City Week from 4-12 May at Site 154 in the Woodstock Road). The Book is available from 1st May.

Filed under: Bookshop news and events, Oxford

Our Music shop has relocated!

Our Music Shop is now in place in a brand new home attached to the main shop.

music5New shop floor space has been opened up at the flagship bookshop by removing a staircase and opening up a room that was previously a large stock room, as well as freeing up the ‘Oxford shop’ – the room on the other side of The White Horse pub

Music1The Music Shop’s new home looks great and provides yet another reason for people to visit the world-famous Norrington Room – music4one of the world’s most magnificent rooms of books, built in 1966, which has two and a half miles of shelving and is built beneath the Trinity College quad

The Music Shop specialises in classical CD recordings, music books, printed music, instruments and other accessories and is one of the most respected such places in the UK music2
But it’s not just classical music – the shop stocks printed music and books covering all genres of music, and the recordings department has sections on Classical, Jazz, World and Folk music, as well as local artists.
There is a single sheet download service available in the bookshop

It also stocks instruments and instrument accessories including music3Acoustic guitars, Ukuleles, Violins, Strings, Sticks, Reeds and Rosin; plus a range of music themed cards and gifts

Just like many Blackwell’s Bookshops, Blackwell’s Music prides itself in the abilities of its staff to offer expert advice. Peter McMullin, one of the most experienced members of staff is recognised both locally and across the industry as being one of the most impressive and knowledgeable specialists in his area – he recently won an award to this effect, being named Printed Music Retailer of the Year at the 2011 MIA Awards

Blackwell’s Music has an especially good relationship with a range of institutions and schools

The Music Shop has a long and proud history in Oxford
The original Blackwell’s Music Shop was located in Holywell Street
It as on the right of the King’s Arms Garage. Before a garage for  housing vehicles for customers/guests staying at the pub, could have been stables and courtyard area, where Shakespeare’s King’s Players  parked their carts and horses when they performed several times at this place, and became the most popular place in the area for them in the 17th century. (The main entrance to the pub was in Holywell Street).
Blacking of horse leathers was carried out here in the yard in the 18th and 19th centuries.
In 1955 the King’s Arms passageway coming between the two rooms here where Blackwell started the Music Shop. Sir Basil Blackwell had been so impressed by the sales of the 1954 edition of the Grove Dictionary of Music that he felt music merited a separate shop.
In 1955 Mr F. J. Dymond was Manager, and under his management the business expanded considerably.
In 1970 a spacious new building was designed by Gillespie, Kidd and Coia to fit in with the street scene.
Over a mile of shelving was constructed to house the ever-increasing output of standard music literature from publishers all over the world.
The stock at this stage comprised at least 25,000 different items of printed music and 4,000 different books on music, both in English and other languages.
The staff were now twenty-one in number.
Sir Adrian Boult who conducted the London Philharmonic Orchestra officially opened the new shop in 1970 on the 9th November. He studied here at Christ Church 62 years before.
The Music Shop then moved to 23-25 Broad Street in 2000
And now a new chapter…

To celebrate the move we have a vibrant programme of musical events planned. These events include:
The Sixteen – Saturday 13th April at 4.30pm
thesixteenThe Sixteen, established 32 years ago,  is recognised as one of the world’s greatest ensembles. Comprising both choir and period-instrument orchestra, The Sixteen’s total commitment to the music it performs is its greatest distinction. A special reputation for performing early English polyphony, masterpieces of the Renaissance, bringing fresh insights into Baroque and early Classical music and a diversity of 20th-century music, is drawn from the passions of conductor and founder Harry Christophers, who will sign CDs for half an hour after the event.

Out of the Blue – Friday 26th April at 5.30pm
ootblogoOut of the Blue is an all-male a cappella group from the University of Oxford and Oxford Brookes University in England. The student-run group sings an eclectic mix of songs, focusing on covers of modern rock and pop hits.

Oxford Belles – Saturday 27th April at 5.30pm
The Oxford Belles are Oxford’s sassiest, original, all-female a cappella group, oxfordbellesmade up entirely of Oxford and Oxford Brookes students.

opera-anywhere-logoOpera Anywhere are an opera company which specialises in site-specific opera. At the end of May, there are bringing two productions to Blackwell’s Bookshop: one week of The Mikado followed by a week of The Pirates of Penzance.

We look forward to welcoming you…

Filed under: Bookshop news and events, Music Shop, Oxford

Penny for them?

Unless you’ve been living in a cave for the last few years, you’ve probably already encountered the strange beast that is the £0.01 book, found almost exclusively the digital world of online retailers.

On the face of it, doesn’t that seem like an excellent notion? Why go all the way to your local bookshop to spend £7.99 on a paperback when you can get one delivered right to your door for the measly sum of one pence (plus £2.70 postage)?

Unfortunately however, books are not supposed to cost one pence. It is simply impossible to produce a printed book for so little. And why is that, I hear you ask? Well that’s convenient, because I’m about to explain…

Pick up the book lying nearest to you. On the front you’ll undoubtedly find the title, and then the author. This just one of the many people who are trying to make a living by producing this book. Turn one or two pages in and you’ll find this:

Have a look. It will say ‘Published by, for example, Oxford University Press’.

The publisher can be considered an umbrella term, covering several people. The editors and editorial assistants who have beaten the author’s raw material into grammatically correct shape. The designers who came up with the cover. The new girl in marketing who wrote the press release and spent days sealing envelopes and sending out review copies.

Further down, you will probably find the words ‘Printed in… by…’ which covers the typesetter, the printer and the paper they used.

And then that’s it – for now. Once the books hit the shelves of shops, a whole new set of people are relying on selling that book in order to earn their living – namely myself, and the likes of me, the booksellers who arrange, display and point you in the direction of that book. And mostly, we do it because we genuinely love the book and think you should read it – not just because we’re trying to extract the 798 extra pennies from your wallet.

Of course, I’m not suggesting that we forsake the second hand book. Some of the most exciting and interesting things can be found among the piles of old and long out-of-print titles that grace most second hand bookshops. But again, I would urge you to go in search of your local second hand bookshop, or indeed your local Oxfam bookshop. In buying from them you may not be supporting publishers or authors, but instead you are supporting your local retailers, and/or a whole myriad of people through the work of a charity.

But even for the most hardened anti-capitalists, there is still another, increasingly forgotten option open to you. Libraries are full of old classics and exciting new reads which can be yours, for two weeks, for absolutely nothing. Also, while you may not paying for these books, when they were bought, they were bought at a fair price.

So what’s my point? I am not saying you should all rush into Blackwell’s (although you’d be most welcome to!) to buy your books, or that you should only buy second hand books, or indeed that you need to buy all your books at all, when there are libraries full of free reading all over the country. However, what I would suggest is that you consider the effort of the many people that made them, and the people that are trying to sell them, or the people who bought them so that you could read them for free. 

The moment your £0.01 book arrives might be exciting… however for most die-hard booklovers, your first step into a room full of books, free or otherwise, is infinitely more thrilling, and full of possibility…

 

 

 

 

 

To try out the ultimate literary experience for yourself, why not visit:

Blackwell’s Bookshop

48-51 Broad Street

Oxford

OX1 3BQ

(second hand books on 3rd Floor)

 

Albion Beatnik

34 Walton Street

Oxford

OX2 6AA

 

Oxford University Press Bookshop

116-117 High Street

Oxford

OX1 4BZ

 

Oxfam Bookshop

56 St. Giles

Oxford

OX1 3LU

 

Or visit:

https://www.libcat.oxfordshire.gov.uk/

To find out more about libraries near you.

Filed under: Oxford, The Book Trade, The Bookshop, Uncategorized, , , ,

Next week at Blackwell’s…

As you may already know, next Wednesday 18th and Thursday 19th July we will be hosting author talks with hedgehog fanatic and author of The Beauty in the Beast Hugh Warwick and author of new historical thriller Sacrilege, SJ Parris.

It promises to be a very interesting couple of days, so why not come down and join us? Tickets are £2 for each talk and are available from our Customer Services Department or by calling 01865 333623.

However, if you’re away or previously engagement then never fear, look out on Broad Conversation in the week afterwards for interviews with our speakers – and if you’ve got some questions of your own then why not let us know? Either Tweet us with the hastags #hughquestions or #sjpquestions, or leave us a comment – we’ll try to put as many as possible to Hugh and Stephanie, and they’ll be posted to Broad Conversation along with the rest of the interview!

You can also request signed copies of The Beauty in the Beast and Sacrilege by dropping us an email at oxford@blackwell.co.uk

 

Filed under: Literary Events, Oxford, The Bookshop, Uncategorized, , , , ,

To tweet or not to tweet – is that the question?

You know how much we love Creation Theatre, so when Charlie asked if she could do a guest blog it was our pleasure to say yes, yes, yes. Have a read and then join her conversation…

Amongst the many debates that are fluttering around the theatre world at the moment the issue of ‘tweet seats’ is in all honesty quite a long way behind funding… but nonetheless there are murmurs of debate in auditoriums and marketing departments around the country: Should we encourage audience members to share their responses to shows there and then, or is it just plain rude to give more attention to your smartphone than the professionals slogging their guts out on the stage in front of you?

Guardian readers clearly aren’t too keen on the idea, but I find that quite hard to square with the dedicated tweeter in me, and the fact that the only thing anyone wants to know at the end of the show is ‘what did the audience think?’. Engaging with the show and your fellow audience members in real time means you’ll capture the moment of shock when the apothecary’s plan falls apart (which it always does), and those sparks of ideas ignited by great theatre will be yours to keep.

The Factory (@_factory), who hopefully lots of you saw in their amazing shows Hamlet and The Odyssey in The Norrington Room earlier in the year, are pretty hot on their social media. One of the cast gets back on the stage at the end of the show to entreat the audience to send them feedback through Facebook and twitter, and each show has a public show report wiki that anyone is welcome to join in on.

 

Which is great when it comes from the cast, but how do we as a theatre company get somewhere towards having a ‘policy’ on this sort of thing? This summer in our Merchant of Venice we’re trialling putting on a special show called Ideas Aloud, where, much like our friends at The Factory we’ll be positively encouraging the audience to tweet during the show – and not just tweet, paint, sketch, take photos, write a poem, do a cross-stitch, you get the idea.

 

Much like our family shows we want you to be able to see our show in the way that suits you. At these special shows if you need to explain the intricacies of the plot to a four year old, or take a flash photo of the hero, be our guest. Come to an Ideas Aloud show and no-one is going to stop you taking a photo or tut at you for the sound of lead scratching on paper. We know that this isn’t the environment in which everyone wants to take in their Shakespeare but if you fancy live tweeting your first Shakespeare or sharing some of our vintage 1930s costume on Instagram than this might just be the show for you.

 

This is the first time we’ve offered a specific show like this and I’d love to know what you think: would you rather tweeting and photography were allowed at every show? How would you feel if the person sitting next to you was on their phone all the way through? Do you find it frustrating not being able to share your thoughts on the show with the company and your friends as they happen? Please pitch in by commenting below.

 

The Merchant of Venice runs from 7July to 1 September at The Said Business School, the Ideas Aloud show will take place on Sunday 29July.

 

@charliemorley
@CreationTheatre

 

 

Filed under: Creation Theatre, Guest Blogs, Oxford, , , ,

May Day – Oxford style

May Day means different things to different people all over the world. It is International Workers’ Day where labour movements and left-wing organisations celebrate, it is feted as the start of Spring and there is evidence of flower festivals in Northern Europe dating back to pre-Christian times.

Oxford wakes very early for May Day – madrigals are sung at 6am by Magdalen College choir from the Great Tower to thousands of revellers who congregate on Magdalen Bridge. A more recent tradition has been for students to jump off the bridge into the murky, chilly (and shallow) river Cherwell. After various injuries the authorities have frowned on this and there is now an annual game of cat and mouse between jumpers and police. This year no-one was able to jump despite the concerted efforts of a few hardy souls.

Pubs open at the crack of dawn – this is, after all, thirsty work and the, err, remarkable John Otway has made a habit of playing a 6am gig outside a pub – last year outside The Bear, this year he was at the Head of the River.

As the morning progresses festivities move more central and the Morris Dancers take centre stage. Here are the Charlbury Morris group performing outside the shop this morning – we filled them up with Bucks Fizz and cake, they danced and stopped the traffic. A fair trade I’d say…

The weather this morning was grotty but May Day proved, once again, to be a very ‘Oxford’ experience

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Filed under: Oxford, , , , ,

Today was about as ‘bookish’ as any day of the year – World Book Night, Shakespeare’s Birth(and Death) Day, Cervantes Death Day and undoubtedly more besides. It was also the day that the bid for Oxford to become UNESCO World Book Capital in 2014 was sent off. It is a fantastic bid and significantly more rounded and inclusive than a ‘Dreaming Spires’ bid that some may have anticipated.

The committee for the bid (drawn from 11 Oxford institutions and organised by Oxford Inspires) has worked tirelessly, creatively and open-eared over more than a year to get us to this point in the process. The impact on Oxford if the bid is successful would leave a lasting legacy to this city ‘built on books’.

I would just like to take this opportunity to thank everyone who has helped in putting the bid together – everything is crossed for the outcome we all hope for.

Filed under: Oxford, UNESCO World Book Capital, , ,

Something Wicked This Way Comes

The first ever Oxford Shakespeare Festival is soon upon us. Organised by Oxford University Dramatic Society it will bring plays, talks, music and film all about the Bard.

If you are feeling generous you can help by visiting this Sponsorcraft page – any donations will be hugely appreciated. “Thy friendship makes us fresh”

As the organisers say ‘Get on Bard!’

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Filed under: Oxford, Oxford Bard Fest, , , ,

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